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Giorgio Mangiamele
Giorgio Mangiamele (13 August 192613 May 2001) was an Italian/Australian photographer and filmmaker who made a unique contribution to the production of Australian art cinema in the 1950s and 1960s. His films included ''Il Contratto'' (or ''The Contract'') (1953), ''The Spag'' (1962), ''Ninety Nine Per Cent'' (1963) and ''Clay'' (1965). ''Clay'' was selected for competition at the Cannes Film Festival in 1965.〔Graeme Cutts, "Giorgio Mangiamele", ''Cinema Papers'', October 1992 p16-22〕
In 2011 the National Film and Sound Archive of Australia restored four of his most notable films and Ronin Films released them on DVD. Three of the films also screened at the 2011 Melbourne International Film Festival.
==Early life==
Mangiamele, born in Catania, Sicily on 13 August 1926, was the son of a toymaker. He enjoyed drawing and painting as a child but bought his first still camera after he decided that 'painting was too slow' and that cameras were able to catch 'that fraction of a second'. After leaving school he studied fine arts in Catania and joined the State Police in Rome. As a police stills photographer for the Polizia Scientifica (Police Forensics), he captured images of crime scenes including fingerprints. He also learned the essentials of filmmaking by shooting 16mm surveillance footage of demonstrations and riots intended for screening to magistrates in court. During his fifth year with the police, Mangiamele studied journalism at Rome University, 'learning to see the essentials, to use the minimum of words', a principle he was to apply to his Australian filmmaking.〔National Film and Sound Archive: A (Portrait of Giorgio Mangiamele ) by Graham Shirley on (australianscreen online )〕
In 1952 Mangiamele boarded the ''Castel Felice'' to migrate to Australia.
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